2019年9月12日雅思閱讀機經預測

雅思閱讀考試前，在衝刺階段我們如何複習呢?今天小編爲大家分享2019年9月12日雅思閱讀機經預測內容，大家可以參考一下，重點練習一下本套機經中的題型解題思路和方法。希望本文分享的機經預測能幫助到大家有效的備考。

　2019年9月12日雅思閱讀機經預測1

文章題目Sweet Trouble–Australia sugarcane industry

重複年份20150613 20131010 20110813 20090521

題材農業

題型人名配對 4+判斷 6+選擇 3

文章大意澳大利亞的製糖工業面臨危機，政府鼓勵以前從事糖業的人從事其他行業。 但許多人不願放棄，他們認爲製糖環保，有很多好處如保持水土。很多人爲製糖修建水渠，但並沒有很好的收益，製糖業終會消失。

部分參考答案

配對題

甘蔗對環境的影響沒有那麼大了。

甘蔗對環境的影響沒有別的農作物嚴重。

判斷題

種甘蔗的成本和賣出的收益差不多。True

放棄種甘蔗的人去城市裏了。NG

在甘蔗行業裏，用甘蔗用作能源是將來的房展方向。False

選擇題

因爲經濟危機的影響，所以不種甘蔗了。

某個農民一直沒有放棄種甘蔗

　2019年9月12日雅思閱讀機經預測2

文章題目The Grimme Fairy Tale

重複年份20150704 20140313

題材文學

題型判斷 6+單選 4+選詞填空 4

文章大意闡述了格林童話的出版歷史。格林兄弟寫下這些童話的靈感來源，不同時期 外界對於格林童話的反應以及格林童話的第一版和再版變化。

部分答案參考： 判斷：

27. N the Grimme brother knew they would gain international fame, the lasting fame would shock the Grimmes

28. NG the Grimmes were inforced to do work of their own secret

29. Y the sales of Fairy Tale in England was higher than in German

30. NG

31. Y some parents still thought the Fiary Tale was not good for their children

32. N the fairy Tale author considered the man who made contribution to the story

of Cinderella as the original model

單選：

33.

A the flowering of children literature level in 1800s

34. A illustration the change of Fairy Tale in order to match with the modern times (refining & resoftening)

35. C

36. D another contributor of the Fiary Tale in Italy

填空：

37. F the reason why some people think the Fairy Tale belongs to German

38. H some violent stories

39. E

40. D

　2019年9月12日雅思閱讀機經預測3

文章題目Gesture

重複年份20150711 20120712 20100211 20071020 20070303

題材人文社科

題型小標題 6+段落細節配對 5+選擇 3

文章大意講了手勢研究。開始用電話鈴聲作比喻說手勢爲什麼大家都看得懂，後面講 到手勢的個體差異，文化差異，包括各國的舉例。

參考閱讀：

Gestures have been studied throughout the centuries from different perspectivesDuring the Roman Empire, Quintilian studied in his Institution Oratoria how gesture may be used in rhetorical discourse. Another broad study of gesture was published by Englishman John Bulwer in 1644. Bulwer analyzed dozens of gestures and provided a guide on how to use gestures to increase eloquence and clarity for public speaking.] Andrea De Jorio published an extensive account of gestural expression in 1832. A peer reviewed journal Gesturehas been published since 2001 and was founded by Adam Kendon and Cornelia Müller. The International Society for Gesture Studies (ISGS) was founded in 2002.

Gesture has frequently been taken up by researchers in the field of dance studies and performance studies in ways that emphasize the ways they are culturally and

contextually inflected. Performance scholar, Carrie Noland, describes gestures as "learned techniques of the body" and stresses the way gestures are embodied corporeal forms of cultural communication.[11] But rather than just residing within one cultural context, she describes how gesture migrate across bodies and locations to create new cultural meanings and associations. She also posits how they might function as a form of "resistance to homogenization" because they are so dependent on the specificities of the bodies that perform them.

Gesture has also been taken up within queer theory, ethnic studies and their intersections in performance studies, as a way to think about how the moving body gains social meaning. José Esteban Mu?oz uses the idea of gesture to mark a kind of refusal of finitude and certainty and links gesture to his ideas of ephemera. Mu?oz specifically draws on the African-American dancer and drag queen performerKevin Aviance to articulate his interest not in what queer gestures might mean, but what they might perform. Juana María Rodríguez borrows ideas of phenomenology and draws on Noland and Mu?oz to investigate how gesture functions in queer sexual practices as a way to rewrite gender and negotiate power relations. She also connects gesture to Giorgio Agamben's idea of "means without ends" to think about political projects of social justice that are incomplete, partial, and legibile within culturally and socially defined spheres of meaning.

Within the field of linguistics, the most hotly contested aspect of gesture revolves

around the subcategory of Lexical or Iconic Co-Speech Gestures. Adam Kendon was the first linguist to hypothesize on their purpose when he argued that Lexical gestures do work to amplify or modulate the lexico-semantic content of the verbal speech with which they co-occur. However, since the late 1990s, most research has revolved around the contrasting hypothesis that Lexical gestures serve a primarily cognitive purpose in aiding the process of speech production As of 2012, there is research to suggest that Lexical Gesture does indeed serve a primarily communicative purpose and cognitive only secondary, but in the realm of socio-pragmatic communication, rather than lexico-semantic modification.

　　雅思閱讀考試複習忠告

相信讀者也已經發現，這篇不成熟的文章，也是以總分總的形式寫出來的。沒辦法，筆者考慮到讀者們是人類，不得不採用這個亙古不變、經典永流傳的寫作模式進行論述，而你如果不對此抱有好感，我想，你就很像是外星人進了雅思考場，做不對題，要怨出身啦。

我們的總結如下：

1、做題多少不是關鍵，勤於總結纔是要害。要多去總結每篇文章每段話的主旨信息、文體結構，文章的線索發展，把自己當一個準作者那樣要求，你一定會發現自己的眼睛變得越來越犀利，找答案也會找得更快更有頭緒。

2、鑑於雅思考試對我們的問題處理效率提出了極高的要求，我們也不應該再只是死背單詞了。我們要想辦法提高自己單位時間的閱讀速度和整體做題速度，比如依靠前文提到的skim & scan，以及按照意羣進行閱讀的方法。

3、 我們應該明確，一個有9000詞彙量的考生，未必能考出一個有3000詞彙量的考生的雅思成績的三倍，除非後者放水。這說明什麼?說明我們不能一味追求詞彙的“廣度”。掌握一個單詞的真正意思，也就是一個單詞給我們帶來的“應激”(以後希望有機會專門就此概念再寫點東西，這很有用)，比自我安慰的背過50個單詞，可能還有用。

4、別瞧不起詞法知識。全文通篇，我都沒有提到“語法”，一直在強調詞法，是爲了告訴大家，雅思閱讀考試已經很務實了，倘若這剩下的最後一點詞法知識你都不能勝任，那可以想見，以後的論文生活，對你來說就是酷刑一般。所以，每當做完各類填空題，都檢查一下自己是否還存在些基本功方面的漏洞，及時修繕，纔是提高填空題正確率的正道。

5、最後的一點忠告，讓雅思的每篇文章變成各位寫作的領路人，看看人家這文章是怎麼寫出來的。堅持這樣做，你會發現，陌生的文章也將變得不再陌生，抽象的文章也將不再抽象，答案，就在你希望出現的地方。