大學英語美文誦讀3篇
人與美文佳作不斷的 對話 碰撞中,使賞識美文佳作成爲學生內在的需要,成爲學生一種新的生活體驗和學習方式。下面小編整理了大學英語美文誦讀，希望大家喜歡!
美國最偉大的運動員
The railroad station was jammed. Students from Lafayette College were crowding onto the train platform eagerly awaiting the arrival of the Carlisle Indian School's track and field squad.
火車站擠得水泄不通。拉斐德學院的學生們一齊擁上站臺，熱切地等待着卡萊爾印地安人學校田徑隊的到來。
NO one would have believed it a few months earlier.
倘若在幾個月前，準沒有人相信，
A school that nobody had heard of was suddenly beating big， famous colleges in track meets.
一個誰也沒聽說過的學校，會在田徑場上突然大敗許多有名的大學。
Surely these Carlisle athletes would come charging off the train， one after another，like a Marine battalion .
不用說。這些卡萊爾的運動員抵達後，準會象一營海軍陸戰隊隊員那樣，一個接一個衝下火車。
The train finally arrived and two young men——one big and broad，the other small and slight——stepped onto the platform.
火車終於到站了，兩個年輕人——一位，個兒高，體態魁梧;另一位，個兒矮，長相瘦弱——踏上了站臺。
“Where is the track team?” a Lafayette student asked.“This is the team，” replied the big fellow.
“田徑隊在哪兒?”一位拉斐德的學生問道。“就在這兒，”大個子回答道。
“Just the two of you?”“Nope， just me，”said the big fellow.“This little guy is the manager.”
“就你們兩個?”“不，就我一個，”大個子說。“這位小兄弟是領隊。”
The Lafayette students shook their heads in wonder.
拉斐德的學生們詫異地搖搖頭。
Somebody must be playing a joke on them.
一定有人在和他們開玩笑。
If this big fellow was the whole Carlisle track team， he would be competing against an entire Lafayette squad.
如果卡萊爾田徑隊就只有大個子一人，那他就得和整個拉斐德田徑隊比試高低了。
He did. He ran sprints， he ran hurdles， he ran distant high-jumped， he threw the javelin and the shot.
確實如此。他短跑、跨欄、長跑、跳高、跳遠。他又投標槍又擲鉛球。
Finishing first in eight events， the big fellow beat the whole Lafayette team. The big fellow was Jim Thorpe， the greatest American athlete of modern times.
大個子贏得八項第一，一個人擊敗了整個拉斐德田徑隊。這位大個子就是美國現代最偉大的運動員吉姆索普。
大學英語美文誦讀鑑賞一場累人的鬥爭
Balzac once said artistic creation was “an exhausting strug-gle”.
巴爾扎克說過，藝術創造是“一場累人的鬥爭”。
He believed that only by tenacious work and fearing notafraid of difficulties could you show yourtalent.
他認爲，只有頑強地工作，不怕困難，才能把自己的才華表現出來。
It was just likethe soldiers charging the fortress，not relaxing your effort foreven a moment.
這就好象向堡壘衝擊的戰士，一刻也不能鬆勁。
Once Balzac wrote for hours on end， he was so tired that hecould not hold out any longer.
有一次，巴爾扎克一連寫了好幾個小時，累得實在支持不住了，
He ran to a friend's home andplunged headlong on the wanted to sleep，but he toldhisfriend he must be woken up within an hour.
跑到一個朋友家裏，一頭倒在沙發上。他想睡一覺，但他告訴朋友，一定要在一小時之內叫醒他。
His friend，seeinghim so tired，did not wake him up on r he woke up，Balzac got veryangry at his unately his friend had anintimate understanding of him and did notquarrel with him.
他的朋友見他非常疲勞，就沒有按時叫醒他。他醒來後，對朋友大發脾氣。幸好他的朋友很瞭解他，沒有和他爭吵。
Balzac did not smoke cigarettes，nor did he drink any alco-hol.
巴爾扎克既不抽菸，也不喝酒。
But he got one habit：while he was writing he always drankvery strong coffee that could almostanaesthetize his stomach.
但他有個習慣：當他寫作的時候，總是呷着幾乎可以使胃麻痹的濃咖啡。
Hedidn't add milk，nor did he add sugar in his would notsatisfy him until it was madebitter.
他的咖啡裏既不加牛奶，也不加糖，要熬得發苦才滿意。
People generally did not liketo drink such bitter had strange stimulus effecttohim，and could help him drive the sleepiness away，according to himself.
象這樣苦的咖啡，一般人都不願意喝。據他自己說，這樣對他有奇異的刺激作用，可以驅走睡魔。
大學英語美文誦讀賞析鋼琴詩人—肖邦
Frederic Francois Chopin, Polish-born composer and renowned pianist, was the creator of 55mazurkas, 13 polonaises, 24 preludes, 27 etudes, 19 nocturnes, 4 ballads, and 4 scherzos.
肖邦是近代浪漫派的抒情音樂家，他在音樂史中，是一位神祕、愛國而最富於詩意生命的鋼琴家。他一生創作了 55 部馬祖卡舞曲，13 部波羅涅滋，24 首序曲，27 首練習曲，19 首夜曲，4 首敘事曲以及 4 部詼諧曲。
Frederic Chopin was born in Zelazowa Wola, Poland, on February 22, 1810, to a French fatherand Polish mother.
1810 年 2 月 12 日，肖邦出生于波蘭華沙郊區的熱拉佐瓦沃拉。
His father, Nicholas Chopin, was a French tutor to many aristocratic Polish families, lateraccepting a position as a French teacher at the Warsaw Lyceum.
他的父親尼古拉斯是具有波蘭血統的法國人，而母親卻是一位純粹的波蘭人。
Although Chopin later attended the Lyceum where his father taught, his early training began athome.
尼古拉斯原本是波蘭貴族家庭的一名法語教師，後來到華沙的一所中學教授法語。
This included receiving piano lessons from his mother. By the age of six, Chopin was creatingoriginal pieces, showing innate prodigious musical ability.
肖邦最初接觸音樂的機會是跟隨母親學鋼琴。六歲那年，肖邦創作出了人生的第一部作品，充分展現了他與生俱來的非凡的音樂天賦。
His parents arranged for the young Chopin to take piano instruction from Wojciech Zywny.
不久後，他進入了父親在的學校學習，並在父母的安排下，跟隨捷克音樂家 W.日夫尼學習鋼琴。
When Chopin was sixteen, he attended the Warsaw Conservatory of Music, directed bycomposer Joseph Elsner.
中學畢業後，肖邦進入華沙音樂學院學習，從師德國音樂家 J.A.F 埃爾斯納。
Elsner, like Zywny, insisted on the traditional training associated with Classical music butallowed his students to investigate the more original imaginations of the Romantic style aswell.
與日尼夫相同的是，埃爾斯納在堅持古典派推崇的傳統練習外，鼓勵學生們從浪漫派中吸取靈感。 離開華沙音樂學院後，肖邦來到了當時的音樂聖地-維。
As often happened with the young musicians of both the Classical and Romantic Periods,Chopin was sent to Vienna, the unquestioned center of music for that day.
在那裏，肖邦不僅舉行了多場音樂會，也發表了不少音樂作品。在波蘭民族運動走向高潮，與沙俄的戰爭一觸即發的時候，肖邦身在奧地利。
He gave piano concerts and then arranged to have his pieces published by a Viennesepublishing house there.
不久，他回到華沙爲出國做準備。臨行前，華沙音樂學院的師生們爲他送行，並贈以盛滿祖國泥土的銀盃。
While Chopin was in Austria, Poland and Russia faced off in the apparent beginnings of war.
儘管從此肖邦再也沒有回到他深愛着的祖國，他一直保存着這捧祖國的泥土。
He returned to Warsaw to get his things in preparation of a more permanent move.
爲了得到更多浪漫派聽衆的認可，加上自己擁有一半的法國血統，肖邦來到了法國巴黎。
While there, his friends gave him a silver goblet filled with Polish soil. He kept it always, as hewas never able to return to his beloved Poland.
在這裏，肖邦結識了西歐文藝界許多重要人物，包括匈牙利藝術家李斯特，柏遼茲，意大利音樂家貝利尼等新浪漫主義的擁護者。
French by heritage, and desirous of finding musical acceptance from a less traditionalaudience than that of Vienna, Chopin ventured to Paris.
儘管肖邦有時也在大型音樂廳演出，但他更喜歡在家或是一些私人的場合，享受更融洽的氛圍。
Interestingly, other young musicians had assembled in the city of fashion with the very samehope.
有趣的是，許多抱有同樣想法的年輕音樂家們也都聚集到了這座流行之都。
Chopin joined Franz Liszt, Hector Berlioz, Felix Mendelssohn, Vincenzo Bellini, and AugusteFranchomme, all proponents of the "new" Romantic style. Although Chopin did play in the largeconcert halls on occasion, he felt most at home in private settings, enjoying the social milieuthat accompanied concerts for the wealthy.
弗朗茲李斯特肖邦加入,赫克託耳柏遼茲,門德爾鬆,維琴佐·貝里尼和奧古斯特·Franchomme,所有的支持者“新”的浪漫風格。儘管肖邦玩有時也在大型音樂廳演出,他覺得在國內大部分集中在私人場合,享受這種社會環境對富人伴隨着音樂會。
He also enjoyed teaching, as this caused him less stress than performing.
他也更喜歡教學時放鬆的心情。
Chopin did not feel that his delicate technique and intricate melodies were as suited to thegrandiose hall as they were to smaller environments and audiences.
肖邦認爲他細緻優美的演奏技巧和紛繁的旋律更適合小環境演奏，而不適合宏偉的音樂廳。
News of the war in Poland inspired Chopin to write many sad musical pieces expressing hisgrief for "his" Poland.
波蘭陷入戰火的消息促使他寫了許多充滿悲傷的作品，以表達對祖國波蘭的哀傷與思念，其中包括名曲《革命練習曲》。
Among these was the famous "Revolutionary Etude." Plagued by poor health as well as hishomesickness, Chopin found solace in summer visits to the country.
肖邦的健康狀況一直不佳，加上思鄉心切，一度患上肺病，曾在法國南部療養。
Here, his most complex yet harmonic creations found their way to the brilliant composer'shand. The "Fantasia in F Minor," the "Barcarolle," the "Polonaise Fantasia," "Ballade in A FlatMajor," "Ballade in F Minor," and "Sonata in B Minor" were all products of the relaxed timeChopin enjoyed in the country.
期間寫過不少成名的珍品。《F 小調幻想曲》，《威尼斯船歌》，《幻想波羅涅滋舞曲》，《降 A 大調敘事曲》，《F 小調敘事曲》，《B 小調奏鳴曲》等都是在南部療養時創作的。
As the war continued in Warsaw and then reached Paris, Chopin retired to Scotland withfriends.
戰事從華沙蔓延到了巴黎，肖邦不得不和朋友們躲避至蘇格蘭。
Although he was far beyond the reach of the revolution, his melancholy attitude did notimprove and he sank deeper into a depression.
雖然肖邦遠離了波蘭的戰火，但他憂鬱的情緒絲毫沒有改善，反而陷入了更深的沮喪之中。
Likewise, his health did not rejuvenate either. A window in the fighting made it possible forChopin to return to Paris as his health deteriorated further.
同樣地，他的健康狀況也沒有恢復。回巴黎後，肖邦的健康狀況急劇下降，最終在友人們的陪伴下逝世於巴黎的寓所中，
Surrounded by those that he loved, Frederic Francois Chopin died at the age of 39. He wasburied in Paris. Chopin's last request was that the Polish soil in the silver goblet be sprinkledover his grave.
最終在友人們的陪伴下逝世於巴黎的寓所中，結束了短短 39 年的生命。他的遺體被安葬在巴黎。 肖邦最後的遺願是將銀盃中祖國波蘭的泥土撒在他的墓碑上。
